According to reports, Monday night’s SAG town hall meeting
at the Writers Guild Theatre in
Beverly
Hills was quite the love fest for Rosenberg, Allen,
and the guild’s negotiating committee. Leslie Simmons at our sister publication
The Hollywood Reporter
wrote Rosenberg and Allen received a standing O from roughly 400 members in
attendance. One actor told Simmons SAG members at the meeting were united in
backing their leaders’ tough stance against the AMPTP—kind of refreshing given
SAG’s history as being deeply divided along political lines. Of course, we have
to take into consideration that the group was largely comprised of L.A.-based
actors—I doubt a significant number of East Coasters made the trip.
SAGwatchdog.com’s Arlin Miller said the meeting was “smokin’,’ with many actors taking the floor to
express their ire over the AMPTP’s proposals and AFTRA’s actions.
I’m somewhat surprised to hear that Rosenberg and Allen got such a positive reception. Many of the “rank and file” actors I’ve been speaking with aren’t exactly thrilled with SAG’s hardball
approach to the negotiations. Their comments make me doubt SAG would even get
the required 75 percent of their members to grant strike authorization. In our May 15 article in which we attempted to informally gauge what everyday actors are thinking of
the unions’ negotiations, a SAG and AFTRA member of over 30 years criticized
SAG as “cowboys” whose “tough talk is resulting in a worse deal than they would
have gotten if they had negotiated as partners with the studios.”
“SAG just may take the mantle of weakest theatrical union
from the Writers Guild of America if it’s not careful,” he continued.
Another SAG actor commented, “Our current SAG officials have
played right into the hands of AFTRA’s officials by being harder-core than
previously, and AFTRA is now hoping to gain leverage with the AMPTP.”
Pamela Munro in Hollywood (who writes a very helpful blog about
creative ways to save money—something most actors need to know, strike or no
strike) said SAG is “in a very weak position, which they refuse to acknowledge.”
Since the article was published, I heard from an AFTRA
member defending his union and pointing out that SAG is allegedly $6 million in
debt.
A
nd just this morning, I received an email from an AFTRA
member–SAG eligible actor saying “both unions are acting like a bunch of
hypocritical, political, sweaty, butt cracks.”
Well, we never claimed all actors are also poets, but you
get the drift.
Rosenberg and Allen said their determinate stance against
the AMPTP’s proposals--which allegedly would allow studios to sell clips from
their library of films and television shows without actors’ consent—is
misunderstood.
SAG wrote in an update handed out during the meeting, “Some have characterized us as a ‘militant’ or
‘hardliners.’ Usually these are not bad monikers for unionists, but these words
have become synonymous for ‘going to strike.’
“Some seem to think we should simply go ahead and quietly
take what the writers, directors, and AFTRA net code performers got. But actors
have issues that other above-the-line union members do not have. We are not
being selfish or greedy. We believe your image and your right to actor-specific
protections are a critical part of our 75-year history…and our future.”
At the same time, Rosenberg and Allen continue to say they
do not want to lead another strike in July. According to Miller, Rosenberg said he “knew that neither, he, or the membership wanted a
strike,” and pointed out that the membership would decide whether to strike.
To say SAG is between a rock and a
hard place is putting it mildly. Let’s see what they can accomplish when they
resume talks on May 28—a mere month before the contract expires June 30.
--Lauren Horwitch
Thanks Lauren for including my 2 cents' worth and pitching my frugal blog!
Also have an acting blog at aol.journals - Easiest way to find it is to google "Pamela Munro + actress" It's Munrosthingstheatrical artistique
Posted by: pamela munro | May 22, 2008 at 07:01 PM