The Tony Awards are two weeks from Sunday, and it's time to start casting your ballots for the awards. Whether you're competing with your high school drama class or you have an annual Tony pool, here are some tips for how to predict the winners on Sunday, June 12. If all else fails or you're stuck in categories like lighting or sound design, just pick "Book of Mormon" or "War Horse." Whether you've seen the shows or not – and if you want to, get tickets before the Tony broadcast – they're certain to be the favorites. For all 39 acting nominees in the acting categories, see Back Stage's annual Tony Awards Voters Guide.
Best Play
"Good People." This well-made play is just a tad too well-made. I couldn't shake off the sense of having seen more of a thesis than a drama. – Erik Haagensen
"Jerusalem." Jez Butterworth's "Jerusalem" falls squarely in the tradition of works lionizing the charismatic, nonconforming outsider whose outrageous behavior masks a pure and noble heart that by contrast proves the mendacity of the society surrounding him... While nothing would make me happier than to be able to join in the chorus of hosannas, I sadly must report that I found the show to be three hours and 10 minutes of windy bollocks. – EH
"The Motherf**ker With the Hat." As its title indicates, Stephen Adly Guirgis' "The Motherf**ker With the Hat" is provocative and profane, but, just as those two asterisks blunt that title's immediate impact, the Broadway production of this raw, wild comedy-drama compromises the author's and director's vision. – David Sheward
"War Horse." Gloriously theatrical and almost unbearably moving, this stirring testimonial to the power of honest sentiment is a never-to-be-forgotten theatrical experience. – EH
Best Musical
"The Book of Mormon." "The Book of Mormon," the result of this unlikely four-way collaboration, manages to combine outrageous parody, solid storytelling, and sympathetic yet goofy characters. – DS
"Catch Me If You Can." Buried somewhere under all the 1960s TV variety-show flash and trash, there's an interesting story struggling to get out in the new musical "Catch Me If You Can."… The result is a busy, empty, by-the-numbers musical comedy that has to rank as the Broadway season's biggest disappointment to date. – EH
"The Scottsboro Boys." This look at a monstrous, racially motivated miscarriage of justice in the Depression-era South, staged in the form of a minstrel show, packs quite a punch. It’s a satisfying finale for the legendary songwriting team. – EH
"Sister Act." A ramshackle yet agreeable film comedy with plausibility issues has here become an even more ramshackle and outlandish musical comedy that consistently diminishes its source. - EH