As a young, aspiring artist giving it my best shot in New York City, I live in a constant state of preparation. I keep my game face on and my voice warmed up. I work hard at my small "survival" jobs, and keep my eyes peeled for new opportunities. All of this, so that in my daily attempt to scale the great wall that my art school professors call "the door to the industry," I might have a slight advantage over the climber next to me.
Thus a precious and rare moment occurs for the weary climber when something presents itself as a "leg up" on the wall -- a little boost that restores your faith and puts you just ahead of the rest. Finding Back Stage was that leg up for me.
In early April this year, having spent a school year (and a lifetime) dreaming about playing live acoustic shows in venues across the five boroughs of the city, I had just met a busker in the subway named Elijah Bridges, who with his big laugh and his blues harp soon became my close friend and bandmate. We called our duo the Thief and the Cobbler, after an old childhood movie we both knew, and over the course of many afternoons in April we turned the Bedford Avenue "L" subway station into a roaring dance hall. But we had no "ins"—no CD demo, or equipment, no friends who owned bars… and close to no money.
It was also in April that I first discovered Back Stage. I had just subscribed to BackStage.com when in an online casting search, I discovered a listing for a talent showcase that was to be held at The Duplex NYC, the West Village cabaret venue.