Sketchfest NYC -- which wrapped up its sixth annual festival last night, after three straight days of sketch comedy at the UCB Theatre -- continues to showcase the wide variety of comedy and performance styles that makes sketch comedy such a vibrant and vital art. We were there for every single blackout, costume change, and musical cue at Sketchfest NYC 2010. Read about the entire weekend, below (and read more about the first night of the festival here):
Two of the annual highlights of the festival, Elephant Larry and Pangea 3000, each combine childlike wonder -- or, more accurately, the awkward feelings of 13-year-old kids -- with visions of an alternate reality in their sharply-written and energetically performed sketches. The boys of Pangea 3000 remind you of somebody's goofy younger brothers as they played baseball in the future, shouted about whispering, conjugated verbs, won a fart noise spelling bee, and didn't forget to thank anyone (especially Jessica Hess). Elephant Larry, meanwhile, would be our troublemaking yet deceptively wise older cousins, pointing out the ridiculousness in things we take for granted such as how to wear clothes, why "that's not what your mom said last night," if someone could be attracted to a circle, and how relish is really made.
In other Sketchfest NYC shows, Team Submarine was frustrated by affirmative action for Klingons, but found art in a student's insulting drawings. Last Call Cleveland brilliantly deconstructed cliche stand-up routines at the "Giggle Boner" comedy club, took a seizure break, then serenaded us with "The One-Semester-of-Spanish Spanish Love Song." Rue Brutalia tried and failed to advertise orange juice from Betsy Ross Farms, taught valuable self-defense lessons, and confronted a child molester. Free Love Forum introduced us to the Bilk brothers and regretted ever saying "See you, wouldn't want to be you." Long Pork got cartoonishly violent, performed magic, and shocked a gentleman repeatedly with a dog collar in the name of improv.